Frank Moran
heavyweight contender, active 1908 - 1922

   

CHARLES FRANCIS MORAN
b. March 18, 1887; Pittsburgh, Pennsylvania
d. December 18, 1967; Los Angeles, California

 

WON
36

LOST
13

DRAWS
16

KO'S
28

 

Heavyweight contender turned actor Frank Moran has boldly signed this typed letter in pencil... Dated June 29, 1945 Moran addresses the production company which is considering his employment for the upcoming film "The Kid From Brooklyn (1946)"... He appears to be telling them indirectly that he needs a bit more money as their offer doesn't exceed his salary of three years prior... Moran would in fact go on to play the role of a fight manager in this movie

measures: 8.5 x 11"
condition: two light folds from being mailed, staple holes at top left and right, punch holes at top

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  Born in Pittsburgh, Pennsylvania, Moran studied dentistry at the University of Pittsburgh where he also played football. He played professional football for the Pittsburgh Lyceums and Akron Pros as a guard and center.

While Moran was serving in the U.S. Navy in 1908, he knocked out fighter Fred Cooley in the second round. He began his career as a prize-fighter that same year with a match against Fred Broad. Soon, Moran, who had a hard right hand punch which he called "Mary Ann", became known as the "White Hope" of the teens. In 1914 he fought Jack Johnson for the Heavyweight Championship of the World, and in 1916 "The Fighting Dentist" went up against Jess Willard for the same title, but lost both bouts. He lost his last fight to Marcel Nilles for the Heavyweight Championship of France on December 22, 1922. He retired from boxing after 66 bouts with a record of 36 wins (28 by a knockout), 13 losses, 16 draws and 1 no contest.

Gravel-voiced, granite-faced former heavyweight boxer Frank C. Moran made his film debut as a convict in Mae West's She Done Him Wrong (1933). Though quickly typecast as a thick-eared brute, Moran was in real life a gentle soul, fond of poetry and fine art. Perhaps it was this aspect of his personality that attracted Moran to eccentric producer/director/writer Preston Sturges, who cast the big lug in all of his productions of the 1940s.